Pablo Larraín's *Spencer* isn't just a biographical drama; it's a meticulously crafted visual narrative, deeply intertwined with the costumes and accessories that help define Princess Diana's emotional journey. One of the most striking elements of Kristen Stewart's portrayal is her use of Chanel sunglasses, a recurring motif that subtly underscores Diana's complex internal state and her evolving relationship with the royal family. These aren't simply sunglasses; they're a symbol of rebellion, privacy, and ultimately, Diana’s burgeoning self-awareness. This article delves deep into the significance of these specific Chanel sunglasses, exploring their design, their place within the broader context of the film's costuming, and their impact on the overall narrative.
The specific Chanel sunglasses worn by Diana (Kristen Stewart) in *Spencer* are characterized by their dark tortoise and beige frames and brown, gradient lenses. This seemingly simple detail is crucial to understanding the film's visual language. The tortoise shell pattern, a classic and timeless design, speaks to a certain elegance and sophistication, reflecting Diana's inherent grace and regal bearing. However, the subtle beige undertones and the gradient brown lenses add a layer of complexity. The beige softens the traditionally formal tortoise shell, injecting a hint of casualness, almost rebellion, which perfectly mirrors Diana’s growing defiance against the restrictive confines of royal life. The gradient lenses, transitioning from dark to light, further emphasize this duality: a public persona shrouded in a carefully crafted image, contrasted with the private vulnerability hidden beneath.
Analyzing the sunglasses within the larger context of *Spencer*'s wardrobe provides further insight. As highlighted in articles like "All 15 of Princess Diana’s Spencer Outfits, Explained" and "Princess Diana 'Spencer' Movie Fashion: Kristen Stewart's," costume designer Jacqueline Durran meticulously curated Diana's wardrobe to reflect her emotional arc. The film doesn't aim for a strict historical accuracy, instead prioritizing the emotional truth of Diana's experience. The Chanel sunglasses, therefore, become a key element in this emotional storytelling.
They are not just a fashion accessory; they are a tool to shield Diana from the relentless glare of the media and the suffocating scrutiny of the royal court. In several scenes, the sunglasses become a visual metaphor for Diana's attempt to protect her inner self from the prying eyes of the world. They are a barrier, a shield against the constant intrusion and judgment she faces. This is explored in articles such as "Every outfit Kristen Stewart wears in 'Spencer'" and "Kristen Stewart on How Her Chanel Costumes in," where Stewart herself discusses the deliberate choices made regarding her character's attire and how it contributed to portraying Diana's emotional state.
The sunglasses also appear at pivotal moments in the film, often signifying a shift in Diana's emotional landscape. For example, their appearance after a particularly stressful royal engagement might suggest a retreat into herself, a moment of quiet reflection and self-preservation. Conversely, their absence might indicate a period of vulnerability or a willingness to engage more openly with her surroundings. This nuanced use of the accessory allows the audience to connect with Diana's emotional journey on a deeper level.
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